Fashioned from uncut timber, the carved, painted figures of South African sculptor Claudette Schreuders are powerful shamans alluding to a history of growing up under apartheid as an Afrikaans female.
Her thoughtfully rendered pieces have numerous precedents and influences: Noh masks, Baroque polychrome saints, medieval church sculpture, Spanish portraiture, Egyptian woodcarving, family photographs, and perhaps most notably, West African Colon figures—widely recognized icons of African art typically depicting Europeans in Western dress and ubiquitous in the craft markets of Schreuders’ homeland.
Usually smaller than life-size, with stocky bodies, almost comically large hands and feet, wide, haunting eyes and slightly enlarged heads, Schreuders’ works do not hide the cracks or grain of their wood surfaces. Though their faces are often stoic in expression, their quiet, understated air makes them poignant vessels for emotions that reach beyond cultural boundaries. Reflecting her fascination with storytelling, Schreuders’ figurative sculptures reveal the intimate world of spirituality, relationships, and personal experiences.
Born in Pretoria, South Africa, Schreuders received a BA in Fine Arts at the University of Stellenbosch and an MFA at the University of Cape Town. In 2004, she was the subject of a major one-person traveling exhibition entitled “The Long Day” that debuted at Arizona State University in Tempe, AZ. She has had solo and group shows at the Iziko South African National Gallery in Cape Town; the Contemporary Museum in Honolulu; the Rose Art Museum at Brandeis University; the British Museum, London, England; the Austin Museum of Art, TX; and at the Museum of Modern Art and the Museum for African Art, both in New York City
Group Exhibitions